業(yè)主是一位在廣告公司擔(dān)任平面設(shè)計(jì)的設(shè)計(jì)師,基地位于山頂,周圍景色優(yōu)美。業(yè)主希望在此建造一座通風(fēng)且開放的住宅。
The client of this project, working in an advertising agency as a graphic designer, acquired a piece of land on a hilltop with a good view-then requested the design of a residence with airiness and openness.
裸露的帶著木模版紋理的混凝土墻面同立面上的鍍鋅鋼板形成鮮明而不突兀的對(duì)照,營(yíng)造了建筑有序的外觀。站在建筑外面,除了通過(guò)二層窗口——將建筑的木結(jié)構(gòu)曝露出來(lái)——便無(wú)法窺見(jiàn)室內(nèi)的情形。
走進(jìn)木質(zhì)的大門是入口庭院,每當(dāng)夜晚降臨,庭院內(nèi)燈光亮起,迎接主人的歸來(lái)。藝術(shù)品一樣的懸挑鋼結(jié)構(gòu)樓梯位于入口的后方。柔和的光線穿過(guò)一級(jí)一級(jí)的臺(tái)階照亮了位于建筑里側(cè)、挨著衛(wèi)生間的后院。一層所有的房間,都面朝內(nèi)部的庭院開窗。緊挨著孩子的臥室的南側(cè)庭院內(nèi)有一棵樹,也可看作是這座住宅的象征。
The exposed concrete finish wall with cedar form panel pattern and the galvanized steel panel of the building surface create a clear yet tranquil contrast, producing an orderly exterior appearance of the building. It is not possible to grasp the interior condition from the outside, except the part revealing the wooden structure of the building through a large opening.
Inside of the wooden gate door is the entrance court enclosed by the reinforced concrete wall, greeting the owner with its indirect illumination at night. Art piece-like staircase in cantilevered steel frame is situated behind the entrance door. The soft diffused light coming down from the grating illuminates the court space next to the bathroom located at the inner part of the building. All the spaces on the ground floor, including private room and bathroom, are facing toward the inner courtyard. Front facade is accentuated by a piece of Stewartia monadelpha tree planted in the outer courtyard of the child room, standing as the symbolic tree of this residence.
走上臺(tái)階,建筑墻體和天花板連為一體的結(jié)構(gòu)逐漸暴露出來(lái)。由SPF木料和單板層積材構(gòu)成的重復(fù)的三角形結(jié)構(gòu)從地板開始,延續(xù)到墻面,天花板和檐口,構(gòu)成三段式的折線。
位于二層的落地窗由四扇木質(zhì)的推拉門組成,構(gòu)成了高度開放的空間。樓梯的扶手由鋼化玻璃制成,更加凸顯了空間的通透。山墻上內(nèi)置式的家具提供了包括廚房和起居在內(nèi)的多種功能,白色的外表與空間的主色調(diào)形成對(duì)照。夜晚,當(dāng)動(dòng)感的建筑結(jié)構(gòu)被內(nèi)置的燈光照亮,營(yíng)造了難以言表的空間氛圍。
By going up the staircase, the structural body unifying the walls and the ceiling of the second floor is gradually revealed. Repetitive triangular structures composed of SPF timber and laminated veneer lumber rise up from the floor to continuously form a column-free, shell-like space by integrating the wall, the ceiling and the eaves in three-stepped couplings.
The opening on the second floor consists of four large wooden sliding doors, achieving a highly open space, completed by the transparent banister with tempered glass for the balcony. Built-in furniture at the gable end contains multiple functionalities of the kitchen and the living areas, contrasting with the structural body by its white-color finish. Evening atmosphere is revealed when the dynamic structural body is illuminated by the indirect light of the built-in lighting fixed at various positions, providing a space beyond any description.
建筑設(shè)計(jì)satoshi kurosaki